The British-Nigerian filmmaker tells IndieWire about the first proper U.S. release of a history-making 1994 film that combined the 24-hour social urgency of “Do the Right Thing” with ’90s hip-hop and Afrofuturist aesthetics but was too quickly lost to time. Until now.
Hong Kong icon Tony Leung has channeled brooding urban energy for the masterpieces of Wong Kar-Wai, balancing the debonair ennui of Marcello Mastroianni with the […]
It’s closer, somehow, to the end of June now than to the beginning, which makes it a good time to take stock of the best […]
Olivia Wilde’s ‘The Invite’ Outpaces Other A24 Platform Openings You will be redirected back to your article in seconds A24 and Annapurna’s film, […]