The 1982 stage adaptation initiated a series of low-budget independent productions that have been largely ignored in favor of the more famous Altman classics that came before (“Nashville”) and after (“The Player”), but a new physical media release provides an opportunity for reconsideration.
Be it Denzel Washington’s vulnerable portrayal of an invulnerable avenger, Tony Scott’s kinetic, ahead-of-its-time direction, or two decades of regular airings across Turner cable networks, […]
The following article is an excerpt from the new edition of “IndieWire’s The Lead Up,” a weekly newsletter in which our Awards Editor Marcus Jones takes readers on […]
After winning both the Palme d’Or and the Queer Palm for best short film with his 2019 gem “The Distance Between Us and the Sky,” […]