Fifty-nine years ago, friends Roger Patterson and Robert Gimlin visited the Six Rivers National Forest in Northern California and claimed to have an encounter with […]
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Zach Cregger on Physical Media Debate Ahead of Sony’s ‘Resident Evil’
Zach Cregger loves “Resident Evil,” but you won’t find him literally collecting the games. The filmmaker behind Sony’s new “Resident Evil” adaptation, produced in association […]
Beyond Fest 2026 Lineup Announced
Last week, Los Angeles film festival Beyond Fest enticed genre fans with the early announcement that director M. Night Shyamalan would be appearing at this […]
Can ‘Practical Magic 2′ Save Warner Bros.’ Down 2026?
“Practical Magic 2” opens this weekend. The long-awaited sequel to the witchy rom-com starring Sandra Bullock and Nicole Kidman from 1998 isn’t some beloved classic […]
‘Bunker’ Venice Reaction Helps Penelope Cruz’s Oscar Chances
The audience at the world premiere of “Bunker” must have been seeing stars, reportedly awarding the marital drama and Javier Bardem and Penélope Cruz, the […]
The Film Industry’s Collapse Is on Schedule — A Producer’s Path
Editor’s note: This is the thirteenth chapter of “A Producer’s Path,” an ongoing column for IndieWire’s Future of Filmmaking from independent producer Daren Smith. Read previous chapters here. […]
‘Avengers: Doomsday’ Earns $50 Million in Pre-Sales, Infinity Vision
Disney announced on Wednesday that “Avengers: Doomsday” has already made $50 million in domestic pre-sales, a staggering number for a movie that still doesn’t open […]
‘The Paper’ Season 2 Review: ‘The Office’ Spinoff Can’t Deliver
In the second episode of “The Paper’s” second season, a fantastic idea emerges — fantastic in that it’s both really clever and impossible to imagine […]
How Zach Cregger Put His Fears About Having Kids Into ‘Resident Evil’
After making 17 children disappear into the night for last year’s Oscar-winning “Weapons,” Zach Cregger still isn’t sure if he wants to have kids of […]
Denise Di Novi Interview: ‘Practical Magic 2’ ‘Heathers’
In his new book “Power Surge: Conglomerate Hollywood and the Studio System’s Last Hurrah,” film historian Thomas Schatz convincingly argues for 1989-2004 as the last […]