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There is a romanticized version of independent filmmaking that people often imagine — a passionate artist with a great script, a group of believers, and a dream that somehow finds its way to the screen. Filmmaker D.J. Hale writes for IndieWire why that wasn’t his story in making “Rescued.”
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On June 4, the IndieWire Honors Spring 2026 ceremony will celebrate the creators and stars responsible for crafting some of the year’s best television series. Curated and selected by IndieWire’s editorial […]
No two film or TV shoots are alike, as each director and team of department heads have to find their own unique rhythm that falls […]
Hong Kong icon Tony Leung has channeled brooding urban energy for the masterpieces of Wong Kar-Wai, balancing the debonair ennui of Marcello Mastroianni with the […]